Publishing ups and downs

Keanu Reeves rushes in (to publishing art books):

Where angels fear to tread (a great magazine editor runs screaming from the field):

As you may gather from the links above, I’ve subscribed to the New York Times! My friends know because I’m sending them articles like the ones above daily. Or posting them to Facebook and Twitter.

I’ve long thought the NYT is amazing. The best of the best. I thought that because every time I picked up a copy, which was very rarely, I would find at least two stories that were right up my alley; great reportage on things that matter to me, like art, art books, museums, cultural matters generally, politics (on the progressive or social side). I often felt it uncanny how the NYT would have an article so bang on. I felt tuned in, and turned on.

Now, reading the headlines daily (I get their Daily Briefing to my email inbox and then go to the full “paper” for the rest of the major stories and usually a quick scan through the Arts section) I find it much less interesting. There’s still something special about the NYT. It’s just a little less impressive as it’s becoming more familiar.

I guess the big news for me is really not about the NYT but that I’ve finally accepted that to be well-informed today, you have to get the news online, and for the most part, if you’re serious about it, pay for it.

Sort of… I see the Globe and Mail has instituted a paywall. I’m not going there, yet.

Closing the book on Inspire! The Toronto International Book Fair

Here’s a great way to show a panel of authors, adjacent their books.

If this particular panel isn’t looking too cheery it could be because their host, the Toronto International Book Fair, held for the first time last fall, was in the process of imploding around them. Now it has been announced that it won’t be back.

“The big players should have jumped on board,” said Sandra Kasturi,  participating poet and co-publisher of fantasy and genre fiction ChiZine Publications, “I feel like the publishing industry is frequently hide bound and reluctant to embrace anything new, especially if it’s not an instant million-dollar success.” –

Here’s what another commentator had to say:

“A larger expansion of the vendors and publishers on offer will be needed in order to sustain interest. Organizers intend to focus more on the international element of the fair next year as well.

“The downside to attending the event for multiple days is that after touring the show floor to see all the publishers and exhibitors, there isn’t much else to look at. There needs to be a larger amount of exhibits or activities to see and do to engage visitors. In addition, the set up of the various stages needs to be re-examined, as often throughout the day activities from one stage interfered with interviews and readings on others. Given that the Convention Centre is a large, open space, the sounds echoed and traveled across the show floor disturbing audiences and authors. All elements will likely be improved for next year. Organizers may also want to consider moving it to a different time of the year where the event calendar is not already so crowded.” –

It was a big ambition, the kind of thing we need in today’s lachrymose economy.

But the plug has been pulled. Which means no opportunity to fix and grow. Too bad:

Where was the art community? What about hooking it up with the also struggling Art Toronto fair, already gearing up for 2015, or the thriving NY Art Book Fair, embraced by the likes of The New Yorker?

Or the critical-alt communities?

Or even, how about 12 days out of doors!?

Inspire! Book Fair by the numbers (info from Metronews, link above)

  • 400 authors, including big names such as as Margaret Atwood
  • 200 exhibitors
  • 3 day event
  • $1 million reported original budget
  • 50,000 original attendance goal
  • 20,000-25,000 actual attendance

The brief obit in Publisher’s Weekly.


What role is art playing in the hybridization/evolution of the book?

I’m very pleased to have been invited to be involved in the production of this new “literary” festival… described below in Quill & Quire magazine:

TINARS founder Marc Glassman to launch Toronto book fest in March

By Stuart Woods
January 6, 2014

Marc Glassman

What does the book launch of the future look like? Marc Glassman, artistic director of This Is Not a Reading Series, believes he has the answer. The former owner of Pages Books & Magazines (which closed in 2009) will present his vision with a series of events and readings to take place in Toronto this winter.

According to a press release, the Pages Festival + Conference, scheduled for March 13 to 15, will comprise “mainstage events,” in which authors will present their work to the public with multimedia support, and a series of daytime seminars, workshops, and panels touching on diverse topics, from “the impact of new technologies on literature to the maintenance of copyright and the shifting role of illustration in ebooks.” Events will take place at the Randolph Academy Theatre and the Tranzac Club, with programming details being announced over the next five weeks.

“As with TINARS, the onstage events will revolve around a creative collaboration between the Pages festival and writers,” Glassman tells Q&Q in an email. “We suspect that book tours in the future will look like our events. Headlining writers will inevitably work with musicians, video artists, dancers, actors, comedians, and installation artists to create grand spectacles that the public will embrace.”

Pages Beyond Bricks & Mortar, the pop-up version of the former Queen Street bookstore, will sell books at all festival events. Glassman adds that he will be reaching out to publishing colleagues in the coming weeks, though he has already assembled a board that includes Robert Logan, chief scientist at OCAD’s strategic innovation lab and professor emeritus at the University of Toronto; Doina Popescu, founding director of the Ryerson Image Centre; Xenophile Media founder Patrick Crowe; PEN Canada executive director Tasleem Thawar; Point of View magazine publisher Judy Wolfe; and digital publishing veteran Robert Kasher.

TINARS will continue its regular programming throughout the winter. Two events scheduled this month feature poet and critic Jason Guriel (The Pig Headed Soul, Jan. 8) and novelist Kathryn Kuitenbrouwer (All the Broken Things, Jan. 20).